Song About God the Father Spirit Son From Incarnation to Jesus Coming Again

Representative Text

i Come, k almighty Male monarch,
help us thy name to sing;
assistance us to praise.
Begetter all-glorious,
o'er all victorious,
come up and reign over us,
Ancient of Days.

2 Come, thou incarnate Give-and-take,
gird on thy mighty sword;
our prayer nourish.
Come and thy people anoint,
and give thy Word success,
and let thy righteousness
on us descend.

3 Come, holy Comforter,
thy sacred witness comport
in this glad 60 minutes!
Thou, who almighty art,
now rule in ev'ry heart,
and ne'er from us depart,
Spirit of pow'r.

iv To thee, slap-up Ane in Three,
eternal praises exist
hence evermore!
Thy sov'reign majesty
may nosotros in celebrity see,
and to eternity
dearest and adore.

Source: Christian Worship: Hymnal #921

Writer: Anonymous

In some hymnals, the editors noted that a hymn'southward writer is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Writer Unknown" "Unknown" or "Bearding" could have been written by many people over a span of many centuries. Go to person page >

Text Information

Text Information
Lectionary Weeks
Scripture References
Languages

First Line:	Come, Thou Almighty King, Help united states Thy proper noun to sing
Title:	Come, Thou Almighty King
Writer:	Anonymous
Meter:	6.6.four.6.6.vi.four
Source:	English, before 1760; Source unknown, c. 1757, alt.
Language:	English language
Copyright:	Public Domain; Public Domain

Year A, Easter flavour, Sixth Sunday
Related to John 14 (NPM)
Year A, Ordinary Time, Proper ix (fourteen)
Year A, Ordinary Time, Proper 16 (21)
Year B, Christmas flavour, Holy Proper noun of Jesus (Mary, Mother of God)
Year B, Christmas season, New Twelvemonth's Day
Year B, Holy Calendar week season, Monday of Holy Calendar week
Year B, Easter flavor, Day of Pentecost
Year B, Ordinary Time, Proper 9 (fourteen)
Yr C, Christmas season, Holy Name of Jesus (Mary, Mother of God)
Year C, Christmas flavor, New year's day'due south Day
Year C, Holy Week flavor, Monday of Holy Week
Twelvemonth C, Ordinary Fourth dimension, Trinity Sunday

Notes

Scripture References:
st.iii = John xv:26

The anonymous text dates from before 1757, when information technology was published in a leaflet and bound into the 1757 edition of George Whitefield's Drove of Hymns for Social Worship. The text appears to exist patterned after the British national anthem, "God Save the King." Filled with names for members of the Godhead, this song exhibits a mutual trinitarian structure, addressing God the Father (st. 1), God the Son (st. 2), and God the Holy Spirit (st. iii), terminal with a doxology to the Trinity (st. 4).

The text has often been attributed to Charles Wesley, since the leaflet likewise included a hymn text from his pen ("Jesus, Let Thy Pitying Middle"); nonetheless, "Come, G Almighty King" was never printed in whatsoever of the Wesley hymnals, and no other Wesley text is written in such an unusual mete

Liturgical Use:
Beginning of worship; every bit a doxology (st.4)

--Psalter Hymnal Handbook
===================
Come, 1000 Almighty King. [Holy Trinity.] The earliest form in which this hymn is found is in five stanzas of vii lines, with the title, "An Hymn to the Trinity," on a tract of four pages, together with stanzas one, 2, 6, 10, xi, and 12, of C. Wesley's hymn on "The Backslider," beginning "Jesus, let Thy pitying heart," &c, thus making upward a tract of ii hymns. The date of this tract is unknown. Information technology is bound upwards with the British Museum copy of the 6th ed. of G. Whitefield's Collection, 1757, and over again with the copies in the aforementioned library of the 8th ed., 1759, and the 9th, 1760. In subsequent editions beginning with the 10th, 1761, both hymns were incorporated in the body of the volume. M. Madan included it in the Appendix to his Collection in 1763, No. cxcv., and through this channel, together with the WhitefieldCollection, it has descended to modern hymnals. The loss of the titlepage (if any) of the above tract renders the question of its authorship one of some uncertainty. The first hymn in the tract is compiled, equally indicated, from C. Wesley'southward hymn, "Jesus, let Thy pitying eye," which appeared in his Hymns & Sacred Poems, 1749, some eight years before the abridged form was given in G. Whitefield'due south Collection. The hymn, "Come, Chiliad Omnipotent King," yet, cannot be found in any known publication of C. Wesley, and the assigning of the authorahip to him is pure conjecture. Seeing that information technology is given, together with another hymn, at the end of some copies of the 6th, eighth and 9th ed. of Whitefield's Collection (1757, 1759 and 1760), and was afterward em¬bodied in that Collection, the about probable conclusion is that both hymns were printed past Whitefield as additions to those editions of his collection, and that, as in the one example, the hymn is compiled from one by C. Wesley, so in this we take probably the reprint of the production of an author to united states as even so unknown. Much stress has been laid on the fact that the late D. Sedgwick always maintained the authorship of C. Wesley, and that from his decision there was no entreatment. The "S. MSS." testify clearly that (1) Sedgwick'south correspondence respecting this hymn was very all-encompassing; (2) that he knew nothing of the British Museum copies noted above; (3) that he had no authorisation for his statement but his own private opinion Based on what he regarded as internal evidence alone; (4) and that all the Wesleyan authorities with whom he corresponded, both in 1000. Britain and America, were against him. His say-so is, therefore, of no value. The evidence to the present time will admit of no individual signature. It is "Anon."
The utilise of this hymn, both in Great Britain, the Colonies, and America, is very extensive. Information technology has as well been rendered into various languages. Original text, Lyra Britannica, 18G7, p. 656; Snepp's Songs of Grace & Glory, 1872.

--John Julian, Dictionary of Hymnology (1907)

Tune

ITALIAN HYMN

Felice de Giardini (b. Turin, Italia, 1716; d. Moscow, Russia, 1796) composed ITALIAN HYMN in iii parts for this text at the asking of Selina Shirley, the famous evangelically minded Countess of Huntingdon. Giardini was living in London at the time and contributed this tune and three others to Mar…

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For Leaders

Bulletin Blurb
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In his starting time letter to Timothy, the apostle Paul warns him that the Christian life is a constant state of war against evil. He commands Timothy to "Fight the skillful fight of the faith" (1 Timothy 6:12, ESV). A few verses later, Paul describes the one for whose sake we fight: "he who is the blessed and just Sovereign, the King of kings and Lord of lords, who lonely has immortality, who dwells in unapproachable light, whom no one has e'er seen or can see. To him be honor and eternal dominion. Amen" (1 Timothy 6:15-16, ESV). In this hymn, nosotros praise God as our Rex and Ruler, addressing each Person of the Trinity in turn, and end with a request that

"His Sovereign majesty
May nosotros in glory see."

Text:

"Come up, G Almighty Male monarch" is an anonymous text that first appeared in print in a brusk pamphlet published by the Wesleys alongside 1 of Charles Wesley'south hymns. The British Museum contains a copy of this pamphlet bound with the 1757 edition of George Whitefield'south Collection of Hymns for Social Worship, as well as two subsequently editions from 1759 and 1760. The fact that it appeared with Wesley's hymn has led some to believe that Wesley wrote information technology, simply this is hundred-to-one. The hymn does not announced in any of the older Methodist hymnals, and Wesley never claimed it, nor did he write another hymn in the unusual meter of this one.

Similarities betwixt "Come, Thou Almighty Rex" and the British national anthem "God Save the King" suggest that the hymn was written every bit a parody to that national anthem. There is a story that, during the American Revolution, some British soldiers surprised an American congregation on Long Isle and ordered them to sing "God Relieve the King." The Americans responded past singing the correct tune, but the words of "Come, Thousand Almighty King."

This text was written with five stanzas. The original second stanza, which addresses Jesus as our great military leader, is ever omitted, but sometimes information technology is combined with the original third stanza. The four stanzas that remain incorporate other militaristic linguistic communication, which is sometimes edited. Each of the get-go three stanzas is addressed to a fellow member of the Trinity: God the Father (st. one, 4th line), the Son (the "incarnate word," opening line of st. 2), and the Holy Spirit ("holy comforter, opening line of st. iii). The quaternary stanza concludes with a doxology to the Trinity.

Melody:

This text was originally sung to the melody of the British national anthem (known now in the U.S. as AMERICA). In 1769, a new melody was written peculiarly for this text for Martin Madan's A Collection of Psalm-Tunes never published before, a music volume sold to benefit the Lock Hospital, a London charitable institution. 1 of the hospital'due south patrons, Selina Hastings, Countess of Huntingdon, had asked Felice de Giardini, a pop Italian composer living in London, to write a new melody for these words, and ITALIAN HYMN was the result. Madan, the hospital's clergyman, included the tune in his drove, and it became popular.

ITALIAN HYMN is then named because its composer was an Italian living in England. It is as well known as MOSCOW, after the city where Giardini died, or TRINITY, afterward the theme of the hymn. Other uncommon names include FAIRFORD, FLORENCE, GIARDINI'Southward, or HERMAN.

When/Why/How:

For general use, this hymn is suitable for the opening of worship, or every bit a doxology. A couple of Sundays where it is especially advisable are Trinity Sunday and Pentecost (with the focus on stanza iv).

"Come, Thou Omnipotent King" for handbells by Kevin McChesney has an interesting rhythmic underpinning all the mode through. Victor Johnson has written a regal concertato setting of "Come, Thou Almighty King" for choir, congregation, and organ, with optional brass, timpani, and handbell parts. Some other setting of "Come, One thousand Almighty King" by Michael Burkhardt alternates between the fully orchestrated use of the popular melody ITALIAN HYMN and an a capella rendering of the bottom-known tune NEW Haven. Lloyd Larson'south pianoforte suite "Jesus Shall Reign" contains a classical prelude setting of ITALIAN HYMN.

Tiffany Shomsky,
Hymnary.org

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Timeline

Folio Scans

Instances

Instances (1 - 82 of 82)

A Teaching Hymnal #84

Display Championship: Come, Yard Almighty King Outset Line: Come, thou almighty King Melody Championship: ITALIAN HYMN Date: 2018 Subject field: Praise and Prayer | Source: source unknown, c. 1757, alt.

Ambassador Hymnal #135

Display Title: Come, Thou Almighty Male monarch Beginning Line: Come, Chiliad almighty Rex Tune Title: MOSCOW Meter: 664 66 64 Appointment: 1994 Subject: Admiration | ; Commitment | ; Encouragement | ; Trinity | Source: Whitefield'due south Collection, 1757

Baptist Hymnal 2008 #336

Brandish Title: Come, Yard Almighty King First Line: Come, Yard Almighty King Melody Title: ITALIAN HYMN Author: Anonymous Meter: half-dozen.half-dozen.4.half-dozen.6.6.4. Appointment: 2008 Bailiwick: Holy Spirit, His Power | ; Jesus, Lordship |

Chalice Hymnal #27

Christian Worship #921

Display Title: Come, Grand Omnipotent King Commencement Line: Come, 1000 omnipotent King Tune Championship: ITALIAN HYMN Meter: 664 6664 Scripture: John 1:14; John 14:25-26; 1 Timothy half-dozen:15-16; Revelation 4:eight Date: 2021 Subject: Opening of Service | Source: English, c. 1757, abr., alt.

Church Hymnal, Mennonite #1

Display Title: Come, Yard Almighty Male monarch First Line: Come, Chiliad Almighty Male monarch, Assist the states Thy proper noun to sing Tune Title: ITALIAN HYMN Author: Charles Wesley Meter: six. 4. vi. 4. 6. 6. 6. 4 Scripture: one Timothy 1:17 Engagement: 2017 Subject: God | Praise

Gather (3rd ed.) #562

Brandish Title: Come up Now, Almighty Rex Beginning Line: Come up at present, almighty King Melody Title: ITALIAN HYMN Author: Anon. Meter: 66 4 666 4 Scripture: Psalm 45:3-4; Psalm 51:12-13; Daniel 7:9; Daniel seven:22; John 16:13; Revelation 4:8; Revelation xix:xi-sixteen Date: 2011 Subject: Christ the King | ; Gathering | ; God the Begetter/Creator | ; Holy Spirit | ; Incarnation | ; Majesty and Power | ; Proper noun Of God | ; Petition/Prayer | ; Praise | ; Sending Forth | ; Trinity | ; Word of God | Source: Collection of Hymns for Social worship, 1757, alt.

Gather Comprehensive #475

Display Title: Come Now Almighty King First Line: Come, now almighty King Melody Title: ITALIAN HYMN Author: Bearding Meter: 66 four 666 four Scripture: Psalm 45:3-4; Psalm 51:12-13; Daniel 7:9-22; John 16:13; Revelation 19:11-xvi Date: 1994 Subject: Holy Name | ; Seasons and Feasts | Christ the Rex

Celebrity and Praise (3rd. ed.) #359

Display Title: Come Now, Almighty King Showtime Line: Come now, Almighty King Tune Championship: ITALIAN HYMN Author: Anon. Meter: 66 four 666 four Scripture: Exodus 15:eighteen; 1 Chronicles 29:11-thirteen; Psalm 45:3-4; Psalm 47:7-8; Psalm 51:12-thirteen; Psalm 83:xviii; Psalm 103:19; Daniel 7:ix; Daniel 7:13; Daniel 7:22; John 1:14; John fourteen:xvi-17; John 16:12-xv; Acts x:38; Romans 14:xi; Romans 15:thirteen; ii Corinthians 13:13-14; Galatians five:22; Ephesians 6:17; Philippians ii:five-7; 1 Thessalonians 1:6; ane Timothy 6:15; Hebrews 4:12; Revelation 19:11-16 Date: 2015 Field of study: Praise | ; The Liturgical Year | Appearance (Sundasy and Weekdays); The Liturgical Twelvemonth | The About Holy Trinity

Glory to God #2

Display Title: Come, G Omnipotent King Commencement Line: Come, thou almighty King Tune Title: ITALIAN HYMN Meter: 6.vi.four.six.6.6.4. Scripture: Exodus 15:18; 1 Chronicles 29:11-12; Psalm 29:2; Psalm 45:3-4; Psalm 47:seven-8; Psalm 83:18; Psalm 103:19; Daniel vii:9; Daniel 7:13; Daniel 7:22; John 1:xiv; John 14:16-17; Romans 8:16; Ephesians half dozen:17; Revelation 19:eleven-16 Date: 2013 Subject: Adoration | ; Christian Year | Trinity; Gift of the Holy Spirit | ; Incarnation | ; Sovereignty of God | ; The Triune God | Source: Collection of Hymns for Social Worship, 1757, alt.

Hymnal #41

Display Title: Come up, thou Omnipotent Rex Get-go Line: Come, thou Almighty Rex Tune Title: ITALIAN HYMN Writer: anonymous Date: 1992 Source: tract in Drove of Hymns for Social Worship, 1757

Hymns for a Pilgrim People #247

Display Title: Come, Yard Almighty Rex Outset Line: Come up, Thou Almighty King Tune Championship: ITALIAN HYMN Author: Anonymous Meter: half dozen.6.four.vi.six.6.4 Scripture: Psalm 95:3 Date: 2007 Subject: Adoration and Praise | ; Advent | ; Shut of Worship / Sending Forth | ; Kingdom | ; Opening of Worship | ; Prayer / Petition | ; Trinity | ; Word of God |

Hymns of Organized religion #54

Display Title: Come, Thou Almighty King Showtime Line: Come, Thou Almighty Rex Tune Title: [Come, M Almighty King] Scripture: Psalm 29:two; Romans viii:sixteen Date: 1980 Subject: God | Majesty and Ability; God | Trinity; Worship | Source: Unknown

Hymns of Hope #44

Display Championship: Come, K Almighty King First Line: Come, k almighty Male monarch Tune Title: ITALIAN HYMN Meter: half dozen.6.4.6.6.six.four. Date: 2015 Discipline: Praise to Christ | Source: Collection of Hymns for Social worship, 1757, alt.

Hymns of the Saints #54

Display Championship: Come, K Almighty King First Line: Come, thou Almighty Rex Tune Championship: ITALIAN HYMN Author: Charles Wesley, 1707-1788; Geoffrey F. Spencer, 1927 - Scripture: John iv:23-24; one Timothy 1:xv-17 Date: 1982 Subject: Christ the Redeemer | ; Gathering | ; Holy Spirit | ; Invocation | ; Praise | ; Supplication | ; Worship |

Journeysongs (2nd ed.) #471

Display Title: Come up Now, Almighty King First Line: Come up now, Omnipotent King Melody Title: ITALIAN HYMN Author: Anon. Meter: 66 4 666 4 Scripture: Exodus 15:18; ane Chronicles 29:11-12; Psalm 45:3-4; Psalm 47:7-8; Psalm 51:12-13; Psalm 83:18; Psalm 103:19 Date: 2003 Subject: Praise |

Journeysongs (3rd ed.) #450

Display Title: Come Now, Almighty King First Line: Come now, Almighty King Tune Championship: ITALIAN HYMN Author: Anon. Meter: 66 4 666 4 Scripture: Exodus xv:18; 1 Chronicles 29:eleven-12; Psalm 45:3-4; Psalm 47:vii-8; Psalm 51:12-13; Psalm 83:18; Psalm 103:nineteen; Daniel seven:nine; Daniel 7:13; Daniel 7:22; John 1:14; John 14:sixteen-17; John 16:12-fifteen; Acts 10:38; Romans 14:11; Romans fifteen:13; 2 Corinthians thirteen:thirteen-14; Galatians five:22; Ephesians 6:17; Philippians ii:five-7; 1 Thessalonians ane:half-dozen; 1 Timothy vi:xv; Hebrews 4:12; Revelation xix:xi-16 Date: 2012 Subject: Praise | ; The Liturgical Year | Advent (Sundays and Weekdays); The Liturgical Year | The Well-nigh Holy Trinity

Lead Me, Guide Me (2nd ed.) #334

Brandish Title: Come At present, Omnipotent King First Line: Come at present, almighty King Tune Championship: ITALIAN HYMN Writer: Anon. Meter: 66 4 666 four Scripture: Psalm 45:3-4; Psalm 51:12-13; Daniel 7:nine; Daniel 7:22; John 16:xiii; Revelation 4:eight; Revelation 19:11-sixteen; Revelation 19:12 Date: 2012 Bailiwick: Christ the King | ; God the Begetter, Creator | ; Going Along, Sending Forth | ; Holy Name of God | ; Holy Spirit | ; Incarnation | ; Jesus Christ | ; Majesty and Ability | ; Most Holy Trinity | ; Petition, Prayer | ; Praise | ; Trinity | ; Discussion of God; Gospel | ; Worship and Adoration | Source: Collection of Hymns for Social Worship, 1757, alt.

Lift Upwardly Your Hearts #492

Display Championship: Come, Thou Omnipotent King Start Line: Come up, thou omnipotent King Tune Title: ITALIAN HYMN Writer: anonymous Meter: 6.6.4.6.vi.6.iv Scripture: Daniel 7:9; John fifteen:26 Appointment: 2013 Discipline: Church Year | Trinity Lord's day; Doxologies | ; Elements of Worship | Opening of Worship: Called And Gathered; God As | Begetter; God as | Rex; God'southward | Glory; God's | Majesty; Jesus Christ | King; Trinity |

Living Hymns #2

Display Title: Come, 1000 almighty King, Help us Thy Name to sing Offset Line: Come, Thousand almighty Rex, Help u.s. Thy Name to sing Melody Title: [Come, Thou almighty Male monarch] Date: 1988

Living Hymns #2

Display Title: Come up, Thou almighty King First Line: Come up, G omnipotent Male monarch Melody Title: [Come up, Thou almighty King] Date: 2019

Lutheran Service Volume #905

Display Title: Come, Thou Almighty King Showtime Line: Come up, Thou omnipotent King Melody Championship: ITALIAN HYMN Meter: 664 66 64 Scripture: John 1:14; John 14:25-26; ane Timothy 6:fourteen-16; Revelation four:viii Date: 2006 Subject: Starting time of Service | ; Hymn of Invocation | Source: English, before 1760, alt.

Lutheran Worship #169

Display Title: Come, O Almighty Male monarch Beginning Line: Come, O almighty King Tune Title: ITALIAN HYMN Meter: 664 6664 Appointment: 1982 Subject: Invocation | ; Trinity | Source: Source unknown, c. 1757, alt.

Moravian Book of Worship #555

Display Title: Come At present, Almighty Rex Offset Line: Come at present, almighty King Tune Title: ITALIAN HYMN Author: Charles Wesley Meter: 6.six.4.6.6.6.iv. Scripture: Psalm 47:6-7; Zechariah four:vi; John ane:14; John xiv:16-26; John 15:26; Romans viii; Romans 15:one-13 Date: 1995 Bailiwick: Christian year--Trinity | ; Worship |

One in Faith #661

Brandish Title: Come, Our Almighty King Offset Line: Come, our almighty King Tune Title: ITALIAN HYMN Meter: 664 6664 Date: 2015 Field of study: Trinity | Source: Collection of Hymns, London, 1757, alt.

Oramos Cantando = We Pray In Vocal #463

Psalter Hymnal (Grey) #246

Display Title: Come up, Thou Omnipotent Male monarch First Line: Come, k almighty King Melody Title: ITAILAN HYMN Writer: Bearding Meter: 664 6664 Scripture: John 15:26; Romans 8:15-16; Romans 8:xvi Date: 1987 Subject: Doxologies | ; Holy Spirit | ; King, God/Christ equally | ; Opening of Worship | ; Preaching | ; Refuge | ; Trinity | ; Word of God |

Rejoice Hymns #9

Display Championship: Come, Thou Almighty Rex First Line: Come, K Almighty King Tune Title: ITALIAN HYMN Author: Anonymous Meter: vi.half dozen.four.6.6.6.4. Scripture: Revelation 22:20 Date: 2011 Discipline: Adoration and Praise | ; God | Majesty and Power; Holy Spirit | ; Trinity |

Rejoice in the Lord #618

Display Title: Come, Chiliad Omnipotent King First Line: Come, thou almighty King Tune Title: ITALIAN HYMN Author: Anonymous Meter: 66.4.666.iv Scripture: Isaiah 55:11 Engagement: 1985 Subject: Beginning of Worship | Source: English

Santo, Santo, Santo #388

Display Championship: Come, Yard Almighty King (Oh Padre, eterno Dios) Offset Line: Come, grand almighty King (¡Oh Padre eterno Dios!) Tune Championship: ITALIAN HYMN Author: Anonymous; Vicente Mendoza, 1875-1955 Meter: 66 4 666 4 Scripture: Psalm 29:ii; Daniel 7:nine; John 1:1-14; John 14:26; John 15:26; Acts i:viii Date: 2019 Subject: Alabanza | ; Call to Worship | ; Dios | Gloria de; God | Celebrity of; Llamado a la Adoración | ; Oracion | ; Praise | ; Prayer | ; Trinidad | ; Trinity | Source: Collection of Hymns for Social Worship, 1757, alt.

Sing Joyfully #88

Display Title: Come, Thou Almighty King First Line: Come, M Almighty King Tune Title: [Come, G Almighty Rex] Author: Unknown Date: 1989 Field of study: Worship |

The Volume of Praise #293

Display Title: Come, yard almighty Male monarch First Line: Come up, g omnipotent Male monarch Tune Title: MOSCOW Author: Anonymous Meter: 6 6 four half-dozen vi six four Scripture: Daniel vii:22; John 1:14; John 16:12; Hebrews iv:12 Appointment: 1997 Subject: God | Epitome of (in humans); God | Male monarch; God | Majesty of; God the Holy Trinity | ; Holy Spirit | Comforter; Hymns with Doxologies | ; Jesus Christ | Word

The Celebration Hymnal #8

Display Title: Come, Thou Omnipotent King First Line: Come, Thou Omnipotent Rex Tune Title: ITALIAN HYMN Author: Anonymous Meter: half-dozen.half dozen.four.6.half-dozen.6.4. Date: 1997 Bailiwick: Adoration and Praise | Jesus Our Savior; Praise the Lord |

The Covenant Hymnal #101

Display Title: Come, G Almighty King First Line: Come, thou almighty Male monarch Melody Title: ITALIAN HYMN Writer: Anonymous Meter: half-dozen.6.iv.6.6.6.4. Scripture: Psalm 24:9-ten; Psalm 47:seven-8; John 1:1; John ane:fourteen; John 14:26 Date: 1996 Subject: Doxologies and Glorias | ; Gathering | ; Holy Trinity | ; Kingdom of God | ; Music and Singing | ; Pulpit Hymns | ; Word and Teaching |

The New Century Hymnal #275

Brandish Championship: Come Now, Omnipotent God First Line: Come now, Almighty God Melody Title: ITALIAN HYMN Author: Anon. Meter: vi.6.5.half dozen.6.vi.v Appointment: 1995 Subject: God | Power and Majesty of; God | Realm of; Pentecost | Trinity Sunday; Year C | Trinity Dominicus

The United Methodist Hymnal #61

Display Title: Come up, 1000 Almighty King First Line: Come up, thou almighty King Tune Title: ITALIAN HYMN Author: Anon. Meter: 664.6664 Engagement: 1989 Subject: Adoration and Praise | ; Christian Year | Trinity Sunday; Jesus Christ | Incarnation; Presence (Holy Spirit) | ; Service Music | Doxology; The Celebrity of the Triune God | Praise and Thanksgiving; Trinity |

The Worshiping Church #v

Brandish Title: Come, Thou Omnipotent King First Line: Come, grand Omnipotent Male monarch Tune Championship: ITALIAN HYMN Meter: half dozen.6.4.6.6.half-dozen.4. Scripture: Psalm 29:2; Daniel seven:ix; John 14:iii; Acts i:eight; Romans eight:16; Ephesians half dozen:17 Date: 1990 Subject: God | Eternal; God | The Trinity; Holy Spirit | Witness of Source: Source unknown, c. 1757

Timeless Truths #792

Display Title: Come up, Thou Almighty King Beginning Line: Come up, Thousand almighty Male monarch Melody Title: ITALIAN HYMN Author: Charles Wesley Meter: 6.ten.12.10 Scripture: Revelation nineteen:6 Subject: Supplication | Source: Religion Publishing House, Evening Light Songs, 1949, edited 1987 (434); The Cyber Hymnal (http://www.hymntime.com/tch/htm/c/t/ctak.htm); The Gospel Trumpet Company, ; Timeless Truths (http://library.timelesstruths.org/music/Come_Thou_Almighty_King)

Total Praise #322

Display Championship: Come, M Almighty King First Line: Come, Yard Omnipotent Rex Tune Championship: ITALIAN HYMN Author: Anonymous Meter: 66 four 666 4 Scripture: Leviticus 9:23 Appointment: 2011 Subject: Everlasting Life | ; Majesty and Ability | ; Praise | ; Providence | ; Trinity |

Trinity Hymnal (Rev. ed.) #101

Display Title: Come, Grand Almighty King Get-go Line: Come, k Almighty King Tune Title: TRINITY Author: Anonymous Meter: 6.vi.4.6.6.half-dozen.four. Scripture: two Corinthians 13:14 Engagement: 1990 Subject: Christ | The Discussion; Holy Spirit | Comforter; Invocation | ; Supplication |

Trinity Psalter Hymnal #212

Display Title: Come, Thou Almighty King Kickoff Line: Come, one thousand Omnipotent Male monarch Melody Title: TRINITY (ITALIAN HYMN) Writer: Anon. Scripture: Psalm 45:3; Daniel 7:thirteen-14; John 1:ane; John fifteen:26; 2 Corinthians thirteen:fourteen Date: 2018 Field of study: Christ | Every bit the Give-and-take; God | ; Holy Spirit | every bit Comforter; Invocation | ; Opening of Worship | ; Supplications | ; Trinity |

Voices United #314

Worship (3rd ed.) #487

Display Title: Come up, Now Omnipotent Rex Commencement Line: Come, now almighty Male monarch Tune Title: ITALIAN HYMN Author: Anon. Meter: 66 iv 666 4 Scripture: Psalm 45:3-iv; Psalm 51:12-13; Daniel 7:9; Daniel seven:22; John xvi:13; Revelation 4:8; Revelation 19:xi-16 Date: 1986 Subject: Christ the King | ; Gathering | ; Petition | ; Praise | ; Trinity Dominicus | ; Word of God |

Worship (fourth ed.) #549

Brandish Title: Come up Now, Almighty King Kickoff Line: Come at present, omnipotent King Melody Title: ITALIAN HYMN Author: Betimes. Meter: 66 4 666 4 Date: 2011 Subject: Trinity | Source: Collection of Hymns for Social worship, 1757, alt.

Worship and Rejoice #148

Brandish Title: Come up, G Almighty King First Line: Come, grand Almighty Male monarch Melody Title: ITALIAN HYMN Author: Anonymous Meter: 6.vi.4.six.6.half dozen.four. Scripture: Psalm 29:two; Daniel seven:9; John 1:xiv; John xiv:3; Acts 1:eight; Ephesians 6:17; Colossians 3:15; one Peter 3:15 Engagement: 2003 Subject area: Admiration |

Worship in Song #vii

Display Title: Come, Thou Almighty Rex Beginning Line: Come, thou almighty King Tune Title: ITALIAN HYMN Meter: vi.6.four.half-dozen.half dozen.6.4. Engagement: 1996 Subject: Adoration | ; Approval (blessedness) | ; Creation | ; Holy Spirit | ; Praise | ; Prayer | ; Singing (or Vocal) | Source: Anon., tract in Collection of Hymns for social Worship, 1757

Yeah, Lord! #sixteen

Display Championship: Come, G Almighty Rex Beginning Line: Come up, Grand Almighty King Tune Title: [Come, Thousand Almighty Male monarch] Author: Anonymous Date: 1982 Subject: Worship and Admiration |

Include 1621 pre-1979 instances

sampsonblikerchims.blogspot.com

Source: https://hymnary.org/text/come_thou_almighty_king_help_us_thy

Song About God the Father Spirit Son From Incarnation to Jesus Coming Again

Representative Text

Writer: Anonymous

Text Information

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Tune

For Leaders

Text:

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When/Why/How:

Timeline

Folio Scans

Instances

A Teaching Hymnal #84

Ambassador Hymnal #135

Baptist Hymnal 2008 #336

Chalice Hymnal #27

Christian Worship #921

Church Hymnal, Mennonite #1

Gather (3rd ed.) #562

Gather Comprehensive #475

Celebrity and Praise (3rd. ed.) #359

Glory to God #2

Hymnal #41

Hymns for a Pilgrim People #247

Hymns of Organized religion #54

Hymns of Hope #44

Hymns of the Saints #54

Journeysongs (2nd ed.) #471

Journeysongs (3rd ed.) #450

Lead Me, Guide Me (2nd ed.) #334

Lift Upwardly Your Hearts #492

Living Hymns #2

Living Hymns #2

Lutheran Service Volume #905

Lutheran Worship #169

Moravian Book of Worship #555

One in Faith #661

Oramos Cantando = We Pray In Vocal #463

Psalter Hymnal (Grey) #246

Rejoice Hymns #9

Rejoice in the Lord #618

Santo, Santo, Santo #388

Sing Joyfully #88

The Volume of Praise #293

The Celebration Hymnal #8

The Covenant Hymnal #101

The New Century Hymnal #275

The United Methodist Hymnal #61

The Worshiping Church #v

Timeless Truths #792

Total Praise #322

Trinity Hymnal (Rev. ed.) #101

Trinity Psalter Hymnal #212

Voices United #314

Worship (3rd ed.) #487

Worship (fourth ed.) #549

Worship and Rejoice #148

Worship in Song #vii

Yeah, Lord! #sixteen

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